Specter mixes the flavors of Romero, Ghostbusters, and The Terminator with generous glops of sour cream and salsa. John Desjarlais embroils his favorite DEA agent, Selena De La Cruz in a fictional parallel to the 1993 assassination of a Cardinal at the Guadalajara airport. She unearths the stench of corruption oozing from the Mexican drug cartels, the Vatican Bank, and the highest officials in the Mexican government. Unfortunately, Selena’s investigation suggests the involvement of her late father. She wonders if she can forgive her father not only for his possible corruption but his drunken violence toward her mother and herself.
As the story comes together, Desjarlais introduces the reader to Mexican culture, idioms and superstitions. Selena broke loose from the “old ways” that placed a premium on macho honor, exemplified by her father and brothers. Her father beats her mother and arranges a marriage for Selena with the tenderness of transferring the title of a car to a new owner. Her intended believes in using girls. When Selena punches out her father’s choice during his attempt to rape her friend, her father feels honor bound to compensate not the victim of the attack but the rapist, because of his damaged machismo. In spite of, or maybe because of her family’s indignation, Selena plans to marry an Anglo. However, her fiancé is older and has the same style mustache as Selena’s father. What would Freud say?
Selena and her brothers experience similar nightmares that remind them of their father. Their Madrina (Godmother) believes that their father is sending a message from Purgatory. Selena’s brother Francisco engages ghost-hunters, techies who record electronic disturbances, to record the family’s spectral visitations. Unlike Ghostbusters, this Chicago-based team invokes St. Michael, The Archangel before they track a spook and keep the phone number to the Archdiocesan exorcist on hand in case they need back-up.
In the midst of this fascinating backstory, Desjarlais subtly lays down threads of a dark mystery which soon envelops Selena, her family, and the Cardinal. The pace of the novel accelerates like a super loud, growling “Beast” of a “Dodge Charger R/T with a 525 fuel-injected Hemi topped by a Stage V intake, a Gear Vendors Overdrive Unit, a pair of modified 600 Holleys, a pneumatic Air Boss chute and Flowmaster Super 40s to handle the exhaust” breaking 200 MPH along a drag strip.
Desjarlais’ spectacular climax features the gadgetry and explosiveness of a James Bond thriller, but with an O. Henry twist.
The name “Dolores” better fits the somber Selena. She is a grown-up tomboy with a major attitude. Everything goes wrong for her. The chip on her shoulder is nearly heavy enough to break her clavicle. In contrast, her Madrina shows the courage and fidelity of a martyr, adding a spiritual interpretation to the sufferings experienced by the De La Cruz family, especially its women.
John Desjarlais satisfies with this excellent buffet of culture, excitement, and spirituality. I look forward to reading the other books in his Selena series.
The Catholic Writers Guild provided me with an electronic copy of Specter, and I once attended a lecture by John Desjarlais.