The Long Cosmos, by Terry Pratchett and Stephen Baxter

He may have died in 2015, but Terry Pratchett’s spirit lives on in more than seventy of his books. His feel-good novels consistently advocate not only for the underdog, but the under-troll, the under-gremlin, the poor, the powerless, and the downtrodden. His stories and novel-series create new worlds and even new universes. His stories cross genre boundaries of fantasy, sci-fi, romance, adventure, and eccentric history.

Pratchett’s stories customarily weave multiple storylines with only the faint wisp of kinship. He offers images that require his readers to pause, savor, and reflect until the story emerges from the seemingly unrelated details. Readers float in a sea of seemingly unconnected details from each subplot, yet the enchanting prose and literary gems darned into almost every paragraph capture his readers’ loyalty and reward their patience. Eventually, as if viewing a fragment of a magnificent tapestry—a piece the size of a page in a book—the subplot fibers, like rootlets, knit together, allowing the reader to view the novel’s grand design.

Unfortunately, The Long Cosmos, the fifth book in the Long Earth series (published posthumously, thanks to co-author Stephen Baxter), fails to sustain the Pratchett tradition. The outline came from the minds of both Pratchett and Baxter, but the reader must credit (or blame) Baxter for writing the final product.

The “long cosmos” alluded to in the book’s title includes millions of Earth-like planets that stretch across space in a long pearl-like necklace. Gifted interplanetary travelers “step” or walk from one version of Earth to the next. They need only imagine themselves on the next planet, and their bodies follow  their imaginations through space. The less imaginative may fly to distant “Earths” in a vessel called a “twain,” presumably named after Mark Twain, since one of the largest twains is called the “Samuel Clemens.”

Each variation of Earth displays a unique geological and biological evolution. Predatory reptiles like Pterosaurs may glide above, while scaly swamp creatures strike from below. Trees miles in height look down through the clouds at the mountain tops. Their wood is so light and durable that it is used in the hulls of twains.

The story takes place in a time following the 2040 eruption of the Yellowstone volcano and the years of volcanic winter that left Earth, and particularly North America in ruins. Joshua Valiente, 67, against his family’s objections, decides to go camping on a distant Earth. After he suffers a serious accident, he is nursed back to health by a collective of trolls. Sancho, a silverback troll librarian, like Don Quixote’s sidekick, nurses Joshua and educates him in the complexities of troll communication and travel throughout the necklace of Earths. These trolls look more like orangutans than they do Shrek or the Tolkienesque variety, or even the massive trolls that populate other Pratchett novels.

In another subplot, an Extraterrestrial Intelligence calls all sapient beings including beagles, humans, trolls, and the Next—a vastly more intelligent human subspecies—to “Join Us.” Although all are called to “join,” each species harbors doubts about the fitness and worthiness of the other groups. Several minor plots explore the building of a vast communications beacon and travel pods, the human interactions with other sapient groups, and Joshua’s family dynamics.

Eventually, all of the threads weave into something of a New Age coming together of the minds within the universe. The depiction of the collective intelligence of the trolls, their facility in “stepping” from one Earth to the next, and their recording of Earth and troll history in their ballad-like “long calls” proved to be the most interesting memory that I’ll take from this book.

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Moriarty Meets His Match: A Professor and Mrs. Moriarty Mystery (Book 1), by Anna Castle

When writers strain their brains for new ideas, they might consider revisiting an old idea. For instance, Gregory Maguire applied the rules of “alternative fiction,” in his retelling Frank Baum’s classic 1900 story the Wizard of Oz.  Forget Dorothy, Maguire wrote from the point of view of the Wicked Witch of the West. The result: the novel Wicked, which later appears on stage as a musical thanks to Stephen Schwartz and Winnie Holzman, and still later as a movie of the same name.

Why not revisit Arthur Conan Doyle’s signature masterpiece and reveal Sherlock Holmes for the cad he is.

And who better than Anna Castle—with a keen eye for historical context and detail, and famous for her Francis Bacon Mystery series—to expose Holmes and rehabilitate the reputation of Professor James Moriarty.

In book one of her latest series, Moriarty Meets His Match; Castle tells a tale of fleecing wolves, not lambs.  It begins at the London International Exhibition of 1862. The plot then spins a web of lupine greed and arrogance.

“Society nobs (who) had plenty of twinkle with their unsalable family jewels, but very little crinkle—cash money—in their pocketbooks,” ensnare unwary investors in schemes that are designed to enrich the nobs and soak their stockholders.

To the rescue of the lambs, rides the “not entirely respectable,” Mrs. Angelina Gould, a member of a notorious family of confidence swindlers and actors. Call it love at first sight or her setting up a mark, Mrs. Gould crosses paths with and latches onto Professor James Moriarty, mustached, preacher’s son, mathematician, athletic, unassuming and vulnerable. He “radiate(s) integrity like a warm stove.”

With an axe of a nose, Holmes, consulting detective to Scotland Yard speaks in supercilious tones, ignores facts, and seems driven by his own prejudices “He longed for an opponent who could challenge him intellectually. Moriarty fit that bill. Therefore, Moriarty must be a suspect.” Holmes generates theories that fit the facts, although they lead to erroneous conclusions, placing Moriarty in jeopardy of swinging on the gallows for his enemy’s crime.

Anna Castle will please romance fans, those who love Victorian London, and most readers in search of an exciting mystery. She repeatedly places Moriarty and Mrs. Gould in horrible jeopardy from which few authors could extract them.

Anna Castle has recently launched the second book in the Professor and Mrs. Moriarty Mystery Series: Moriarty Takes His Medicine.