Rightfully Ours, by Carolyn Astfalk

 

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When Carolyn Astfalk unearths a newspaper clipping about a treasure hunter who struck gold, she turns it into a young adult romance novel. That took some doing, but as Edison said, “Genius is one percent inspiration, ninety-nine percent perspiration.” A keen observer, Astfalk soaks her written pages with reality. Rightfully Ours, like her other romance novels appeals to the senses, especially those associated with food. You can smell the baking cookies and feel the bite of a January freeze. Her understanding of human emotions transports her readers into the minds of her characters as they experience blessings in the guise of disasters and conflicts. The reader cannot take for granted that a happy ending awaits in the last paragraph.

Rightfully Ours tells of buried gold, but more importantly, it reveals something far more precious in rural, North Central Pennsylvania.  Ron Mueller guards Rachel, his fourteen-year-old daughter with strict rules about dating. He quickly introduces potential boyfriends to his “three-barrel shotgun” to assure their compliance with his standards. Economic pressures persuade Ron to lease the southern portion of his property to a gas-mining/fracking operation and to rent an in-law cottage located near his house, unwittingly creating conflict, temptation, and a compelling story.

Ron’s tenant, Paul Porter—the brother of one of the fracking roughnecks—is sixteen. He and Rachel live next door to each other, and they ride the same school bus. Thrown together, Rachel’s awkwardness and Paul’s resentment keep them apart. Eventually, Paul’s teasing shows Rachel that he knows she exists. Slowly their relationship warms and endures tragedies, misunderstandings, discoveries, and disappointments. Despite Mr. and Mrs. Mueller’s efforts to discourage teen passions, Paul and Rachel find themselves unsupervised. They struggle to decide what is best for their short term and long term relationship. Readers can identify with Paul and Rachel as their love develops and feel their pain as storms tatter and threaten what they have and may soon lose.

As in the newspaper inspiration for Rightfully Ours Paul and Rachel discover gold. Unfortunately, the treasure lay on state land. They cannot lawfully own it. The man in the newspaper article requests a finder’s fee. That’s when everything becomes complicated, but not as wild as what happens in Rightfully Ours.

Carolyn Astfalk brings life to the pages of her books. She fills her teenage romance novel with tenderness, humor, and irony. As with Romeo and Juliette, parting with Rachel and Paul will be “sweet sorrow.”

I had the privilege to work in the Catholic Writers Guild Fiction Critique Group with Carolyn Astfalk as Rightfully Ours came to be. She shared each new chapter and eventually sent me a review copy of the completed book. I’ve enjoyed all of Carolyn’s published and unpublished novels including Ornamental Graces and Stay with Me. I am grateful for her assistance with my own efforts.

Rejoice! Gospel Meditations, by Louis Evely

Lent invites us to refresh our souls, to refocus our lives, to set things right. Rejoice! by Louis Evely, has a way of growing us out of our comfort zones into the light. It challenges us to lift our crosses and follow Jesus. Evely writes: “There were times when Jesus was frightening in his logic, frightening in his relentlessness. He went beyond what was said of him; beyond the half-measures at which the Law had reasonably stopped. Jesus allowed nothing to stop him. He knows only one law: love. And from that law, he draws consequences with logic, which must either electrify or repel his followers.”

Consider the tax collectors and harlots who flocked to the desert to see St. John the Baptist. They asked John, “What must we do?” To their surprise, John told them, “If anyone has two tunics he must share with the man who has none, and the one with something to eat must do the same.” Luke 3:11.  To approach God who we cannot see; we must first approach our neighbors, especially those in need. The message of John and later Jesus electrified their followers. Imagine the joy among the penitents at finding the path to forgiveness and love. Imagine the community that benefits from their joyful giving.

Consider the Pharisees. Why instead of the Pharisees, did the likes of Matthew, Zacchaeus, other tax collectors, sinners, and prostitutes flock to Jesus? Unlike the Sadducees, the Pharisees believed in the resurrection and angels. They maintained their zeal for the Law and awaited the Messiah. “They should have been Jesus’ staunchest supporters.” On the contrary, many of them joined in the call for Jesus’ death. Evely explains that “The Pharisees were proud of their faith, their knowledge, their good works, and their religious observances. Therefore they were closed to God’s gifts and God’s forgiveness, for they did not believe that they were in need of either.” They believed that they had saved themselves through their rigorous observance of the Law. In their assumption of righteousness, they not only rejected God’s mercy, but they refused to extend mercy toward the unrighteous. Imagine their frustration when Jesus said that they had to change their whole approach to God and that their earlier efforts may have placed them behind the hated tax-collectors on the path to God. The message of Jesus repelled them.

Evely used the Parable of The Prodigal Son to compare the Pharisees to the tax collectors and sinners. The older son keeps the Law, but he does so, resentfully. The prodigal, like the tax collectors, rejects the discipline of the Law, but at least he realizes his sinfulness. He is willing to confess to his father and beg a place among his servants. The father, like God the Father is something of a prodigal in his mercy toward the younger son. God squanders love on sinners and reproves the cold-hearted legalists. God’s ways are not our ways.

Evely observes, “It is one of the paradoxes of human nature that we often find more generosity, compassion, and willingness to serve among libertines and loose women than among our moral rigorists.” To underscore his claim, he cites the Parable of the Vineyard Workers. Those who endured the heat of the day received the same pay as those who worked only one hour. Evely writes that those who worked longer should have rejoiced at the good fortune of the last to arrive. The day-long workers grumbled at their fair wage, but Jesus made the point that the vineyard owner was free to do with his money as he wished, despite how it appeared to the workers. God’s ways are not our ways.

If we proclaim Jesus in our liturgy, we must live according to His teachings by radiating God’s love. “God is no more and no less visible than love itself,” Evely writes. “Other men see it and know that the Spirit of God is present. In the early church, only men ‘filled with the spirit’ were chosen for important missions. And the pagans said of the first Christians, ‘See how they love one another!’ The love of these Christians was such that, through it God Himself was made visible.” The lives of the early Christians proclaimed the Law of Love. In loving, they won the culture war against their pagan environment. Why today, have so many churches closed or serve only the elderly? Why today, do some Catholics fear the lure of the secular culture? Shouldn’t they be more concerned about cold-hearted Church members who lack the compelling love that denoted the early Christians and attracted new Christians?

Wishing you an invigorating Lent, one that brings rejoicing.

Louis Evely also wrote a collection of meditations focused on the Easter-Pentecost season: Joy: Meditations on the Joyful Heritage of Christianity.

Racing the Devil, by Charles Todd

Racing the Devil is the nineteenth book in the Inspector Ian Rutledge Mystery Series and a tantalizing read. Like many previous Rutledge Mysteries, in Race with the Devil, the Inspector chases after a mass murderer who attacks anyone who obstructs his or her dark ambitions. Targets include Rutledge.

THE PLOT

Seven British Army officers pledge to meet in Paris, a year after the eventual conclusion of the Great War. The five who survive the trenches find that their battles continue after the Armistice. Someone, perhaps one of the five, tries to kill the others.

A year after the Paris reunion, a motorcar belonging to one of the five crashes in a Sussex village near the lime cliffs known as the Seven Sisters, killing the driver. The local constable calls “The Yard” for assistance. Enter, Inspector Rutledge.

The novel’s subtext speaks of the wreckage left in the wake of war—depopulation, especially among the best and brightest of the young men; grotesque physical and emotional wounds among the survivors, and the remains of their families; and the rusting remnant of the nation’s infrastructure. So many horses die in the war that unemployed blacksmiths turn their smithies into automobile repair shops—a salient detail in a story focused on cars and “accidents.”

Rutledge fans will notice a diminished role for Hamish Macleod. Hamish stars in his own, recent short story: The Piper, but his scarcity may say more about Rutledge’s long-term health than anything else.

THE SERIES

Charles Todd offers his readers, in addition to a tense, absorbing mystery, a travelogue of Southeast England, circa 1920, a prose rich in imagery, and period references. The reader would be wise to consult a detailed roadmap of the United Kingdom to follow the action. Online searches for images of the local landscape and geological features can add perspective.

Todd’s time machine douses readers with frequent rain, guides them through the tents and booths of market days, feeds them sandwiches, cakes, and pub fare, and nearly drowns them in tea, whiskey, port, and the ever-looming pint. Todd reanimates regional traditions and institutions such as the town constable. Rutledge encounters an assortment of local policemen and learns the value of those who have served long and well. They know everyone in and everything that happens on their patch. Then, there are the others who guard their turf and milk it for any benefit it may bring to themselves.

A master craftsman, Charles Todd can be counted on to ratchet up the level of suspense and conflict. He leads his readers on a merry chase by introducing squads of characters with means, motive, and opportunity. Just when the guilty individual seems to have been arrested, Todd saves another major wrinkle to unfold.

Race with the Devil is never boring. It’s the type of story where the readers may glance at the clock to realize that Todd has kept him or her up beyond the normal bedtime hour. The only regret is that fans must wait another year for volume twenty.

The Long Cosmos, by Terry Pratchett and Stephen Baxter

He may have died in 2015, but Terry Pratchett’s spirit lives on in more than seventy of his books. His feel-good novels consistently advocate not only for the underdog, but the under-troll, the under-gremlin, the poor, the powerless, and the downtrodden. His stories and novel-series create new worlds and even new universes. His stories cross genre boundaries of fantasy, sci-fi, romance, adventure, and eccentric history.

Pratchett’s stories customarily weave multiple storylines with only the faint wisp of kinship. He offers images that require his readers to pause, savor, and reflect until the story emerges from the seemingly unrelated details. Readers float in a sea of seemingly unconnected details from each subplot, yet the enchanting prose and literary gems darned into almost every paragraph capture his readers’ loyalty and reward their patience. Eventually, as if viewing a fragment of a magnificent tapestry—a piece the size of a page in a book—the subplot fibers, like rootlets, knit together, allowing the reader to view the novel’s grand design.

Unfortunately, The Long Cosmos, the fifth book in the Long Earth series (published posthumously, thanks to co-author Stephen Baxter), fails to sustain the Pratchett tradition. The outline came from the minds of both Pratchett and Baxter, but the reader must credit (or blame) Baxter for writing the final product.

The “long cosmos” alluded to in the book’s title includes millions of Earth-like planets that stretch across space in a long pearl-like necklace. Gifted interplanetary travelers “step” or walk from one version of Earth to the next. They need only imagine themselves on the next planet, and their bodies follow  their imaginations through space. The less imaginative may fly to distant “Earths” in a vessel called a “twain,” presumably named after Mark Twain, since one of the largest twains is called the “Samuel Clemens.”

Each variation of Earth displays a unique geological and biological evolution. Predatory reptiles like Pterosaurs may glide above, while scaly swamp creatures strike from below. Trees miles in height look down through the clouds at the mountain tops. Their wood is so light and durable that it is used in the hulls of twains.

The story takes place in a time following the 2040 eruption of the Yellowstone volcano and the years of volcanic winter that left Earth, and particularly North America in ruins. Joshua Valiente, 67, against his family’s objections, decides to go camping on a distant Earth. After he suffers a serious accident, he is nursed back to health by a collective of trolls. Sancho, a silverback troll librarian, like Don Quixote’s sidekick, nurses Joshua and educates him in the complexities of troll communication and travel throughout the necklace of Earths. These trolls look more like orangutans than they do Shrek or the Tolkienesque variety, or even the massive trolls that populate other Pratchett novels.

In another subplot, an Extraterrestrial Intelligence calls all sapient beings including beagles, humans, trolls, and the Next—a vastly more intelligent human subspecies—to “Join Us.” Although all are called to “join,” each species harbors doubts about the fitness and worthiness of the other groups. Several minor plots explore the building of a vast communications beacon and travel pods, the human interactions with other sapient groups, and Joshua’s family dynamics.

Eventually, all of the threads weave into something of a New Age coming together of the minds within the universe. The depiction of the collective intelligence of the trolls, their facility in “stepping” from one Earth to the next, and their recording of Earth and troll history in their ballad-like “long calls” proved to be the most interesting memory that I’ll take from this book.

Moriarty Meets His Match: A Professor and Mrs. Moriarty Mystery (Book 1), by Anna Castle

When writers strain their brains for new ideas, they might consider revisiting an old idea. For instance, Gregory Maguire applied the rules of “alternative fiction,” in his retelling Frank Baum’s classic 1900 story the Wizard of Oz.  Forget Dorothy, Maguire wrote from the point of view of the Wicked Witch of the West. The result: the novel Wicked, which later appears on stage as a musical thanks to Stephen Schwartz and Winnie Holzman, and still later as a movie of the same name.

Why not revisit Arthur Conan Doyle’s signature masterpiece and reveal Sherlock Holmes for the cad he is.

And who better than Anna Castle—with a keen eye for historical context and detail, and famous for her Francis Bacon Mystery series—to expose Holmes and rehabilitate the reputation of Professor James Moriarty.

In book one of her latest series, Moriarty Meets His Match; Castle tells a tale of fleecing wolves, not lambs.  It begins at the London International Exhibition of 1862. The plot then spins a web of lupine greed and arrogance.

“Society nobs (who) had plenty of twinkle with their unsalable family jewels, but very little crinkle—cash money—in their pocketbooks,” ensnare unwary investors in schemes that are designed to enrich the nobs and soak their stockholders.

To the rescue of the lambs, rides the “not entirely respectable,” Mrs. Angelina Gould, a member of a notorious family of confidence swindlers and actors. Call it love at first sight or her setting up a mark, Mrs. Gould crosses paths with and latches onto Professor James Moriarty, mustached, preacher’s son, mathematician, athletic, unassuming and vulnerable. He “radiate(s) integrity like a warm stove.”

With an axe of a nose, Holmes, consulting detective to Scotland Yard speaks in supercilious tones, ignores facts, and seems driven by his own prejudices “He longed for an opponent who could challenge him intellectually. Moriarty fit that bill. Therefore, Moriarty must be a suspect.” Holmes generates theories that fit the facts, although they lead to erroneous conclusions, placing Moriarty in jeopardy of swinging on the gallows for his enemy’s crime.

Anna Castle will please romance fans, those who love Victorian London, and most readers in search of an exciting mystery. She repeatedly places Moriarty and Mrs. Gould in horrible jeopardy from which few authors could extract them.

Anna Castle has recently launched the second book in the Professor and Mrs. Moriarty Mystery Series: Moriarty Takes His Medicine.

The Piper: An Inspector Ian Rutledge Story, by Charles Todd

The Piper: An Inspector Ian Rutledge Story by [Todd, Charles]

Charles Todd’s Inspector Ian Rutledge Mystery Series guides readers across early twentieth-century London, the English countryside, and occasionally on trips to the continent.  Readers observe as Scotland Yard’s ace investigator solves the cases everyone else finds impossible. Wherever Rutledge goes, Hamish MacLeod is sure to follow. Normally, Todd offers Rutledge mystery as novels. However, The Piper presents as a short story, and Rutledge is totally missing. In The Piper, Hamish MacLeod becomes a sleuth long before he meets the Scotland Yard Inspector. After Hamish rescues an injured bagpiper, the same lad is found murdered near the MacLeod croft. Hamish uses guile to trap the killer but exposes himself to considerable danger.

Weaving short stories into the fabric of a novel-based series conveniently fills in backstory and deepens character-development. Short stories may link to earlier and future works in serial novels, cement over gaps between existing novels, or offer a second viewpoint on the events.

Some of Charles Todd’s more recent Ian Rutledge novels serve as prequels to the post-World War I series. Although the author adds a new book each year, his pre-war short story—The Piper—both satisfies and intensifies the impatient fans’ hunger for a morsel of vicarious adventure.

The Piper elaborates on Hamish’s personal life and character. It illuminates the forces that shape the rugged individualism and moral strength he exhibits throughout the Rutledge series—the same courage that brings him into conflict with Rutledge.

Although remarkably beautiful, the Highlands of Scotland can challenge both beast and man. The MacLeod sheep survive outdoors on sparse vegetation, despite cold, soaking rain and raging wind. The canny highland sheep know how to hunker down behind any structure that blocks the wind. They provide Hamish’s family with the finest wool, the foundation of their subsistence. As The Piper begins, the reader observes Hamish struggling against the wind and drenching rain to open the door of his stone cottage. Without any luxuries, he roots about in the dark to stoke his fire and brighten his shelter. When he manages to find dry clothing, he hears a call for help. He returns to the storm to find a badly injured lad who he carries back to his home. These behaviors play out again in the later books of the series when Corporal Hamish MacLeod serves under the command of Ian Rutledge in the trenches of the Somme.

Ann McIntyre, a member of the Catholic Writers Guild, also uses a short story (Yes) as a link between her published novels set in the past (Lazarus of Bethany and The Feast of Pontius Pilate) to a novel in progress, set in the present. Other Guild members may find that short stories aid in rounding out their novels.

 

Before the Fall, by Noah Hawley

This #1 National Bestselling novel begins as Flight 613 lifts off the tarmac. Serious concerns plague more than half the travelers—concerns they set aside until after the hop from Martha’s Vineyard to Teterboro Airport in New Jersey.

Sixteen minutes later the plane crashes, leaving only two passengers alive: JJ, the four-year-old son of a multi-millionaire, and Scott Burroughs, an artist in his forties.

In Before the Fall, Emmy, Golden Globe, PEN, Critic’s Choice, and Peabody Award winning Noah Hawley, writer, and producer of the hit TV series Bones, applies his stagecraft and cinematographic skills to the verbal autopsy of each occupant of the doomed jet.

Like pieces of wreckage fished from the sea, he cleverly introduces fragments of backstory amplifying the scream of conflict and the bellowing suspicion as to who benefits from the disaster. A team of federal investigators from the NTSB, the FAA, the FBI, and other agencies attempts to determine the cause of the crash and assign blame. Since JJ is too young, and the other travelers aboard Flight 613 are dead, only Scott Burroughs remains to soak up censure, deserved or not.

The death of JJ’s father, David Bateman, director of the ALC news-as-entertainment-network, launches ALC-anchorman Bill Cunningham on a mission of retribution, delving into Scott’s disaster-ridden past. Cunningham spends weeks delightedly defacing Scott Burroughs’ heroic image, but Cunningham has secrets of his own.

The primary protagonist, Scott Burroughs, tries to understand how, after pulling together the rubble of his own life and finally standing on the brink of success, he stumbles into his current quandary.  More importantly, how should he deal with his damaged reputation and threats from law enforcement? The reader rides the rapids of Scott’s stream of consciousness to a dramatic climax. Have his past tragedies prepared Scott to cope with his present dilemma or will he return to his alcohol addiction and lose everything?

Written by a multitalented author, Before the Fall offers a survivor’s view of an air disaster with all of the public, legal, and psychological fallout. It generates excitement, outrage, and incredulity as conflicting agendas gather like vultures over the wreckage. It fully deserves the NY Times rating as one of the year’s best suspense novels.

Hawley’s narration often imitates a camera zooming in on an object, but when the narration zooms out, the object rests in a totally different place, time, and context. The unexpected scene change advances the story while raising suspense about the broken storyline.

Hawley weaves his characters in and out of his narrative by suddenly switching viewpoints. He carefully develops each character so thoroughly and sympathetically that every plane crash death renews the reader’s pain of loss.