This #1 National Bestselling novel begins as Flight 613 lifts off the tarmac. Serious concerns plague more than half the travelers—concerns they set aside until after the hop from Martha’s Vineyard to Teterboro Airport in New Jersey.
Sixteen minutes later the plane crashes, leaving only two passengers alive: JJ, the four-year-old son of a multi-millionaire, and Scott Burroughs, an artist in his forties.
In Before the Fall, Emmy, Golden Globe, PEN, Critic’s Choice, and Peabody Award winning Noah Hawley, writer, and producer of the hit TV series Bones, applies his stagecraft and cinematographic skills to the verbal autopsy of each occupant of the doomed jet.
Like pieces of wreckage fished from the sea, he cleverly introduces fragments of backstory amplifying the scream of conflict and the bellowing suspicion as to who benefits from the disaster. A team of federal investigators from the NTSB, the FAA, the FBI, and other agencies attempts to determine the cause of the crash and assign blame. Since JJ is too young, and the other travelers aboard Flight 613 are dead, only Scott Burroughs remains to soak up censure, deserved or not.
The death of JJ’s father, David Bateman, director of the ALC news-as-entertainment-network, launches ALC-anchorman Bill Cunningham on a mission of retribution, delving into Scott’s disaster-ridden past. Cunningham spends weeks delightedly defacing Scott Burroughs’ heroic image, but Cunningham has secrets of his own.
The primary protagonist, Scott Burroughs, tries to understand how, after pulling together the rubble of his own life and finally standing on the brink of success, he stumbles into his current quandary. More importantly, how should he deal with his damaged reputation and threats from law enforcement? The reader rides the rapids of Scott’s stream of consciousness to a dramatic climax. Have his past tragedies prepared Scott to cope with his present dilemma or will he return to his alcohol addiction and lose everything?
Written by a multitalented author, Before the Fall offers a survivor’s view of an air disaster with all of the public, legal, and psychological fallout. It generates excitement, outrage, and incredulity as conflicting agendas gather like vultures over the wreckage. It fully deserves the NY Times rating as one of the year’s best suspense novels.
Hawley’s narration often imitates a camera zooming in on an object, but when the narration zooms out, the object rests in a totally different place, time, and context. The unexpected scene change advances the story while raising suspense about the broken storyline.
Hawley weaves his characters in and out of his narrative by suddenly switching viewpoints. He carefully develops each character so thoroughly and sympathetically that every plane crash death renews the reader’s pain of loss.