The King’s Prey, by Susan Peek

 

Terrible but true, Princess Dymphna flees Daemon, her father who, in his madness believes her to be his late wife, Odilla. He demands that Dymphna marries him. With the aid of her confessor and a few companions, Dymphna flees across Ireland and eventually reaches Belgium.

Susan Peek stays true to the Lives of the Saints’ outline for St. Dymphna. She fills in the gaps with a fast moving tale of her companions, especially two brothers, Brioc, her minstrel and Turlough one of her father’s soldiers. Like the fog of war, confusion and misinformation plague Dymphna’s escape. Peek amplifies tensions and leads her characters into conflict, danger, and excruciatingly painful decisions.

Although the words Irish and Catholic seem to be welded together, Dymphna story shows her not only as a Christian but a consecrated virgin living in a pagan household. Her father’s druid companions ignore her religious values and agree to the king’s intended incest.

Dymphna’s plight resonates with many young women in society today. She suffers attempted sexual abuse in her home. She becomes a homeless runaway, a refugee, and a victim of violence and the uncontrolled mental illness of her father. Through all of her flight, she places her hope in God and takes consolation in His protection. She submits to God’s will. In the end, through her intercession, God showers blessings on her friends. She remains a patron of those troubled with mental illness.

Turlough and Brioc dominate the novel. Their entire family dies of disease and famine. The older brother, Turlough makes a desperate choice to save the young Brioc, setting them at odds for many years. Turlough cannot persuade Brioc of his love. In fact, every attempt to help Brioc convinces the younger brother that Turlough plans to kill him. Throughout most of the book, Turlough attempts to reconcile with Brioc. His attempts are thwarted by conditions related to Brioc’s own mental illness. Dymphna brings the brothers closer.

 

Susan Peek writes for the younger readers, a word that will rouse them. She has devised a clever, perhaps labyrinthine tale, a tragedy of errors on the part of Brioc and his wife, Ethlynn. They experience a difficult life, and their role in Dymphna’s escape only deepens their pain. Peek delivers a spellbinding tale of suspense.

 

The King’s Prey should appeal to young, religious Catholics, but would engage people of other faiths and ages. Victims of family sexual abuse, runaways, and refugees can see in Dymphna a courageous companion. Hers is a heroic tale and will grip the reader’s emotions.

 

Since I am a fan of Saint Dymphna, I wanted a greater focus on her life and thoughts. Unfortunately, little information is available. The story of the brothers, although fictional, did have an impact. The most powerful moments came in the last chapters of the book where Dymphna rewards her friends, and the brothers have a chance to untangle their relationship.

 

Of all the characters, I liked Turlough the best. He always loved Brioc, made difficult decisions to save him, and responded to Brioc’s rejection without malice.

 

Susan Peek’s mission is to bring to light some of the forgotten saints such as Saint Magnus, the Last Viking, and Saint Camillus de Lellis. The King’s Prey clearly brought attention to Saint Dymphna. I would like to see more research into her life and her patronage extended in a world that is in woeful need of her strength.

 

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